During much of the twentieth century international theatre research was typically focused on europe and america. As that century drew to a close, however, the two international sister organizations (International Federation for Theatre Research IFTR and performance studies interna- tional psi) became more implicated in addressing theatre as a truly global activity1.The urgency released from the intercultural debate to transcend the polarities east/West, and even North/south, within a global environment is the most significant indication of paradigm shift in perfor- mance research.
Kalid AMINE
Professeur d’enseignement supérieur à la faculté des lettres et des sciences humaines Abdelmalk Essadi (Tétouan, Maroc). Il est président du centre international des éarts du spectacle (Tanger) et membre du bureau exécutif de la fédération internationale de la recherche théâtrale (2011-2013). Parmi ses ouvrages : Fields of Silence in Moroccan Theatre (Union des écrivains marocains, 2004), The Theatres of Morocco, Algeria and Tunisia (Palgrave, 2012).
